清末民初，日本人以荣(ró清末民初，日本人以荣(róng )亚矿(kuàng )业公司为壳(ké )，瞄上了南(nán )灵镇的皇墓(mù )，试图盗取(qǔ )国宝，荣亚(yà )矿业(👘)的(🌒)负(🚘)责(👰)(zé(🍂) )人(🌲)藤(⏱)(té(😇)ng )川(🦉)负(🎃)责(🥂)调(🦄)查(😀)(chá(⛸) )“镇灵玺”。一日，收(shōu )到线报，称(chēng )南灵镇花家(jiā )少爷花易天在最(zuì )近(➿)的(🐣)一(✒)次(🚿)倒(📠)(dǎ(🐁)o )斗(⛄)中(🏙)，掌(🔞)握(🔻)(wò(👑) )了国宝线索(suǒ )。藤川盯上(shàng )了花易天，而此时，花易天(tiān )一方面要面(miàn )对日本人的(de )虎视眈眈，一方面遭到(dào )了花家分舵(duò )主王(wáng )中鹤的反水(shuǐ )，失去了花(huā )家镇外六部(bù )势力。内忧(🍴)(yō(🔣)u )外(👯)患(🤥)之(🗣)下(🦑)，花(🕤)易(🃏)天(🚔)以(😣)肥(🐙)(fé(🏉)i )斗(🌗)美(🍞)(měi )差招来了高(gāo )手慕长风助(zhù )自己一臂之(zhī )力。机缘巧(qiǎo )合下(🤦)爱(🙂)上(🥦)了(👌)(le )花(🦗)易(🍎)天(🌷)青(⏱)梅(🌾)竹(🌐)马(🍂)(mǎ(🍭) )的未婚妻唐(táng )婉云的慕长(zhǎng )风与花易天(tiān )里应外合，在“花魁十(shí )年庆”时清盘了(le )王中鹤势力(lì )。没想到逃(táo )走的王中鹤(hè )绑架了唐婉(wǎn )云和花易天(tiān )极尽折磨，虽然(rán )二人侥幸(🙃)逃(🚎)(tá(🧙)o )出(📮)，但(🛍)是(🧗)花(💧)(huā(👅) )易(💤)天(🤨)身(🏋)体(📇)和(🎖)(hé )精神全都元(yuán )气大伤，一(yī )蹶不(bú )振。花易天(tiān )能否重新振(zhèn )作(📅)?又(🏄)能(👤)否(⏮)联(🎢)(liá(🆔)n )手(🛍)慕(👒)长(🗄)风(🕟)终(🤯)(zhō(🎮)ng )结日本人的(de )阴谋，守护(hù )住属(shǔ )于中国的镇(zhèn )灵宝?
目标成(chéng )为作家的青(qīng )年李钟秀（刘亚仁 饰），平日里靠兼职(zhí )养活自己。经营畜牧业(yè )的父亲不谙(ān )人情，官司(sī )缠身，迫使(🏽)(shǐ(🕺) )钟(🥌)秀(📕)又(🈶)要(🎑)为(🏹)了(🦎)搭(🌈)(dā(💽) )救(🅱)父(🗻)亲(🚝)而四(sì )处奔走。这(zhè )一日，钟秀(xiù )在某大型卖(mài )场重逢了当(dāng )年的(⛽)(de )同(🏷)学(🍎)申(🍹)惠(📼)美(🤾)(mě(❔)i )（(♐)全(🥁)钟(👻)淑(😥) 饰(shì )）。惠美计(jì )划近期前往(wǎng )非洲旅行，于是拜托钟(zhōng )秀照(zhào )看爱猫Boil。不(bú )久后惠美回(huí )国，与之一(yī )同下飞机的(de )还有名叫本(běn )（史蒂文·元 饰(shì )）的男子。本驾驶保时(shí )捷，居住(💈)在(😶)(zà(🐱)i )高(🐤)级(🈴)公(🈚)寓(🚞)内(🤯)(nè(🐔)i )，优(⏭)哉(💡)游(💵)哉(🙋)(zāi )，不见工作，四(sì )处玩乐，和(hé )钟秀相比有(yǒu )如天上地下(xià )。不知为(⛳)何(🤛)(hé(😙) )，本(🔲)走(⏬)入(🔟)平(🈂)(pí(⬆)ng )民(📺)钟(🥨)秀(👔)和惠美的(de )生活，更向(xiàng )新朋友讲述(shù )了他奇特的(de )癖好。在钟(zhōng )秀家小聚的(de )那个(gè )晚上过后，惠美仿佛人(rén )间蒸发了一(yī )般无影无踪(zōng )……
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
一名男(nán )子不滿一樁冤獄(yù )案件的發生(🤱)(shē(⏲)ng )，私(🆕)自(🥑)綁(🤷)架(🥌)(jià(⏭) )審(🔝)判(🚭)該(🐌)案(🏤)的(🎟)(de )法(🤢)官，將其(qí )囚禁於地下(xià )室，並錄影開直(zhí )播，公開質(zhì )疑其判決有(👶)(yǒ(🐌)u )誤(♍)，要(🕷)求(🥟)社(♌)(shè(⛩) )會(🤢)大(🍣)眾(🔼)對(🎁)其(qí )進行公審並(bìng )投票，然而最終(zhōng )的結果，會(huì )因此撼動程(chéng )序正義嗎？
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.详情
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